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Leo's Casino was a nite club in Cleveland, Ohio were in the 60's all the Motown acts like the Temptations, Jackie Wilson, The Ojays etc.. Otis Redding.


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Slavic Village vintage photo gallery. Vintage photos of the Cleveland neighborhood now known as Slavic Village.


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Mar 15, - Leo's Casino on Euclid Avenue, Cleveland, Ohio. Vintage photos of the Cleveland neighborhood now known as Slavic Village Abandoned​.


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In , business partners Leo Frank and Jules Berger opened Leo's Casino in the lounge of the all performed at Leo's Casino, as did comedians Richard Pryor and Flip Wilson. for John Coltrane at Leo's Casino in Cleveland Call & Post, Image courtesy of Euclid Ave, Cleveland, OH ~ Demolished.


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In , business partners Leo Frank and Jules Berger opened Leo's Casino in the lounge of the all performed at Leo's Casino, as did comedians Richard Pryor and Flip Wilson. for John Coltrane at Leo's Casino in Cleveland Call & Post, Image courtesy of Euclid Ave, Cleveland, OH ~ Demolished.


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LEO'S CASINO was a premier showcase in Cleveland for R&B and Motown artists. The co-owner of Leo's Casino, Leo Frank, got his first taste of the enter.


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At the Cleveland History Center, visitors will be able to check out photos of the artists who played at Leo's Casino, listen to music from that era.


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LEO'S CASINO was a premier showcase in Cleveland for R&B and Motown artists. The co-owner of Leo's Casino, Leo Frank, got his first taste of the enter.


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Mar 15, - Leo's Casino on Euclid Avenue, Cleveland, Ohio. Vintage photos of the Cleveland neighborhood now known as Slavic Village Abandoned​.


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Mar 15, - Leo's Casino on Euclid Avenue, Cleveland, Ohio. Vintage photos of the Cleveland neighborhood now known as Slavic Village Abandoned​.


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I was like, 'Are you kidding me? The music was about being spiritual. Role of Cleveland : "Cleveland was so close to Detroit that Leo's was the first stop for us heading out. It was like the perfect mirror, where you were singing with an audience. Leo's Casino was similar to The 20 Grand in Detroit. Alan Freed helped popularized and Cleveland played a great roll in that with its music fans and clubs and musicians. Hough Riots: "The riots changed things. In the s, the area had all these clubs like the Versailles, the Circle Ballroom and the El Dorado, and they brought people down and, in the case of Leo's, tore down racial barriers. But not Motown. The neighborhood really appreciated music - it was really something to think that you could hear all this music in the neighborhood and have people coming from all over the city to hear it. Gleasons was one of the first clubs in the area, but it was from the old days. But at the time, it just felt like something really spiritual was going on, and you could have riots in the streets, but we were all dancing in the streets. The entire area was happening. The roots of rock: "Rhythm and blues is the fabric of rock 'n' roll. They killed this place. On Sunday, The Plain Dealer published an extensive lookback at the legendary club. Leo's showed that music is the great ambassador in bringing people together, no matter how divided we might see ourselves. The vibe changed as the acts became stars: "I remember going to see her play the Richfield Coliseum in the s, and there were thousands of people screaming. Hawkins, a tastemaker in urban radio, broke countless acts in the area by using the radio as a platform and would often roll his signature phrase, Iif you don't like this, you got a hole in your soul. There were riots; music expressed the joy of music. Leo's was part of that golden moment in time where music showed Americans what we had in common. The legacy : "Each generation brings change and unfortunate changes to cities. You could catch a bus there and they had parking on the street. Leo's tore down the barriers and became a groundbreaking point to come together. It was that happening. A lot of music doesn't have love, it's all mechanical. He'd sent them to play Cleveland before they would go on tour and they would make the rounds in Cleveland. It was an elegant club. I hated it. Basically, Euclid Avenue was like the Broadway of Cleveland during its heyday of around to Breaking barriers: "Leo's was the one club that was truly integrated. Cleveland musician who performed often at Leo's. They booked anybody that was anybody. We had to reach a certain standard and that made the music wonderful. There was a lot of anger going on and when that happened, people stated taking off and leaving the neighborhood and you had empty buildings popping up. I remember Berry Gordy saying, 'You can't say all those dirty things because my girls are nice girls. It was all good until they had the riots. The experience: "I was living in Slavic Village and working as a teletype operator, and it felt so alive and fun being at Leo's, where everybody was dressed up and being so close to these incredible performers. I remember the time James Jamerson legendary bassist who played on most Motown records took us to his home to feed us pork and beans and teach us how to sing chord changes and three-part harmonies so we could become part of a background sessions singing with Marvin Gaye. Leo's was also one of the top 'black-and-tan' clubs in the area, where you had integrated black and white audiences. We were happy to do the music without even being paid. Sly, Slick and the Wicked. I realized that Leo's was a different era, before music became a big business -- back when you went to see groups in a club instead of squinting at some Jumbotron because they're on a stage so far away. Leo and Jules were innovative - two white guys who knew how to bring in entertainment. I didn't even realize where I was. Berry Gordy wanted the sound of Young America and never had a song that divided people. Those clubs were the melting pot and when they closed a part of Cleveland disappeared. It's what in the grooves that counts. Cleveland's role in breaking Motown acts: "Berry Gordy would break artists by having them play Leo's because he felt that if you could cut it there, you could make it at the Apollo. All the Motown acts had the best instructors and there were no weak acts. I still vividly remember standing at the bar as Smokey Robinson sang 'Yesterday. Leo's was the most popular, but there were a lot of clubs in the area. It was one of the first clubs where blacks and whites came together and attracted people from the West Side. We were on a mission to spread music to people - all people. We were just happy to sing -- that was a joy. It was a beautiful club known for its sound system, white table clothes, bar to left and a stage in front. Not just in terms of playing there as some young girl with the Supremes. Black people would listen to those stations. Playing Leo's: "I never heard of any incident. It was one of the top clubs in the country. The Broadway of Cleveland: "Leo's sat in the middle of this culturally important area along Euclid Avenue that ran up to East th Street. America might have been segregated, but there were these iconic places like Leo's where people came together. Every seat was a good seat and there was good sound and a stage that you could look out and see everybody and everybody could see you. But it felt like playing back home, so you would feel up close and personal and part of the audience.

It was also one of the few fully integrated clubs in America, where black and white sang together even as America was being torn apart by racial tensions. The club had a small intimate atmosphere. Below, those who performed and went there remember Leo's Casino, Cleveland and the cultural milieu of the s.

They brought https://nordpleyada.ru/casino/san-antonio-city-tours-casino-trips.html stars - like the Miracles and Supremes - more than any other club.

We were all united. Leo's: "James Brown would take days off on a tour just so he could come the Leo's to hang out and see some music. The Supremes. Leo's was part of a new era. Crack came in and it this area where people came all dressed up to hear music had turned into a war zone.

It was on a main drag, on Euclid, so it wasn't too far from downtown. A regular at Leo's Casino. Cleveland in the s: "Cleveland was on par with Chicago and Detroit because it could get an integrated audience. By the s and '80s, I couldn't even recognize the neighborhood I knew.

It felt special to know that we were bringing people and they weren't not fighting and arguing. There leo casino cleveland ohio photos a restaurant and a bar and they would give you a leo casino cleveland ohio photos, but some groups like the Coasters would bring a bunch of girls in there and drink and leo casino cleveland ohio photos away the take from the shows.

I left Cleveland and then remember coming back years later driving around East leo casino cleveland ohio photos and Euclid and I'm looking around I see grass and some trees, but none of the big buildings and clubs I grew up with. Leo's wasn't super big, but you get leo casino cleveland ohio photos orchestra on the stage - people.

These places inspired people to play instruments and form bands and do shows and make records. Cleveland might've been segregated by East and West sides but the airwaves traveled everywhere and they gave Motown a chance and played a lot of the band that would come to Leo's.

They kept the neighborhood vibrant and alive. We were right there with the audience. People went to shows there and you felt safe. The neighborhood: "There were a number of clubs at the time, including the Versailles Penthouse Club.

We were so young, like 20 or I also remember it because it was where we worked with Flip Wilson. The music scene: "The clubs started closing down and then Leo's closed and then they started tearing down those places. And they taught us to stay in the pocket. You can read it here. We were all Americans and there was no difference. You could bring teenagers in on Sundays. This is before he made it big and he was extremely filthy. It all went together - you would go out and look good and it's a good time. But I look back at Leo's and remember it as a golden moment that left behind a great legacy. It had a bar outside of the room. And even though everyone was welcome you would usually only see one or two blacks there.